LIZ LONGLEY: Liz Longley

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LIZ LONGLEY
Liz Longley
Sugar Hill 4108
Looking for a glorious new voice? Liz Longley came out of Bostonâs Berklee College of Music a few years back and immediately began drawing comparisons to Shawn Colvin, Natalie Cole, and Nanci Griffith. That was the excitement speaking, as she doesnât sound like any of them and that will be just fine with anyone lucky enough to hear her. Longley sings with all the power of a pop star, but with the wisdom of a mature performer who knows the difference between presentation and pyrotechnics. Youâll hear some of those whispery tones female country singers favor these days, but also delightful catches, full-throated soaring scales, and lower-register grit. Sheâs pretty darn handy with the pen as well, which is to say that Ms. Longley is the real deal.
Longleyâs Sugar Hill release is her third full album and, for better and occasionally for worse, itâs aimed at breaking through Nashvilleâs noisy and competitive scene. There are songs here that are just about as good as songwriting gets. âSkin and Bonesâ has that Appalachia with ominous undertones feel thatâs evocative of a David Olney song; and âWe Run,â is an inspirational pop/rock anthem in honor of a cousin she lost to 9/11. (Longley also performed this song as part of the Boston Strong campaign.) Then thereâs her confessional âBad Habit,â an anti-tribute to a bad relationship that should have ended sooner; and âThis Is Not the End,â an honest look at not being able to let go. But even these pale compared to âMemphis,â destined to become the earworm youâll feel blessed to have living in your head. Itâs another song about something that may or may not be ending, this one dished out with a warning. Longley frames it in a signature tune and about as much raw emotion as a body can take without choking.
The only thing that prevents me from declaring the entire album âone for the agesâ is the feeling that thereâs more going on here than is needed. Iâve heard most of these songs in Longley solo performances that I much prefer to the slick studio processing. Whether you will or not depends upon how you feel about Nashville records aimed at country/pop audiences. There is, however, an old adage about gilding and lilies, and make no mistake: Liz Longley is a rare lily indeed.
â Rob Weir