Shot Through Your Cheatin’ Heart: “Open Pit Mine” and Country’s Cuckolded Killers
Country Gothic In her oft-cited 1998 essay, âBloody Daggers and Lonesome Graveyards: The Gothic and Country Music,â Teresa Goddu contrasts âbluegrassâ and country. I put âbluegrassâ in quotes because the term in the essay mostly means songs that carry the legacy … Continue reading →