Becky Poole (photo by Logan Futej) Here is Part One of our interview with the Chicago-based duo, Eileen. Â Today, we meet the duo and dive more deeply into the song âIâll Lay You Down,â which we introduced in the previous … Continue reading →
Eileen, the band (Christine Stulik [l] and Becky Poole [r], photo by Logan Futej) Prelude (or Preamble, take your pick) âThe murders of men tend not to alarm us because, on a certain level, we perceive men as voluntarily accepting … Continue reading →
Prince Charles Edward Stuart arrived on Northwest coast of Scotland in July 1745. When he arrived on Eriskay it was the first time Charles had ever been in Scotland and yet he announced his arrival with the words âI am … Continue reading →
Robert Burns Robert Burns was born in 1759, 13 years after the last battle fought on the United Kingdom mainland at Culloden Moor near Inverness. In celebration of Robert Burnsâ 254th birthday this weekâs Murder Ballad Monday takes a tangential … Continue reading →
âCain and Abel,â by Titian When I wrote last year about Jesus and the murder ballad, I thought I would finish that week by looking back to other Biblical stories that also provided symbols for music in this genre. Â I … Continue reading →
Elvis Presley, 1970 In considering Chris Smitherâs song âEvery Motherâs Sonâ in preparation for this weekâs first post, I kept being drawn to the contrast between it and Elvis Presleyâs blockbuster âIn the Ghetto.â Â The two songs appeared within three … Continue reading →
Chris Smither I envisioned our December break as a chance for me to dip into some other interests and, perhaps, generate some new ideas for the blog through unrelated reading. Â It hasnât exactly worked out that way. Â I pay attention … Continue reading →
This is the third part of a three part series.  See also Part 1 and Part 2. Introduction â âre-ragged in redâŚâ In our first post this week, we looked at the historical event, the murder of Patrolman James Brady … Continue reading →
This is the second part of a three part series.  See also Part 1 and Part 3. Introduction In my first post this week, I introduced the bad man ballad âDuncan and Bradyâ and explored the historical origin of the song.  We saw, … Continue reading →
This is the first part of a three part series.  See also Part 2 and Part 3. Introduction When I first moved to the Berkshires in 1992, I was in my early 20âs and my knowledge of American folk music extended only a … Continue reading →
