RANI ARBO and DAISY MAHEM: Violets are Blue

Â
Â
Â
Â
Â
RANI ARBO and DAISY MAHEM
Violets are Blue
Signature Sounds 2074
âAmericanaâ is such an ambiguous label that it often seems to connote little more than a song sung in English. If, on the other hand, we use the term to denote the ways in which American music cross-fertilizes, surely Daisy Mayhem is among the best exemplars of Americana. Rani Arbo reminds me of Nanci Griffith â not the voice, but in the way each chooses music that inspires them and let others fret over what to call it. You know youâre on a unique ride from the start; Violets are Blue opens with an Arbo original, âHeart of the World,â that unfurls with just Arboâs voice and Scott Kesselâs percussion before any other instruments appear.
With Kessel, though, you can be sure there will be twists. Want to know what happens to the junk you throw away? Kessel retrieves it and adds it to his ever-evolving collection of things upon which to bang. The band follows with an Appalachian-influenced song (âDown by the Waterâ), a bit of country folkâArboâs âKeep it in Mindâ would feel at home on a Bill Staines albumâand then the hard-driving âAround the Wheel,â with especially crisp work from bassist Andrew Kinsey and fret-meister Anand Nayak. Still to come is music with a decided mountain feel (âYou Should See Me Nowâ), the Cajun-flavored âSwing Me Downâ) a splash of honky tonk (âOver and Overâ), some torchy blues (âIâm Satisfied with Youâ), and a cover of May Erlewineâs âI Love this Cityâ that reminds us that folks from the Delta created the Motown sound. If pure acoustic folk is your thing, Ms. Arbo has penned two gorgeous songs for this album: âPiece of Land,â whose tune is faintly reminiscent of the opening strains of Harry Chapinâs âCats in the Cradle;â and âSweet and Bitter,â a heartbreakingly lovely song about love tinged with uncertainty. The latter is the albumâs final track, but in many ways itâs the theme song.
The very title of Violets are Blue is clever wordplay, as is most of the albumâs selections touch upon affairs the heart. Kinsey, however, correctly notes that they are âsugar-free love songs.â About what weâd expect from this topnotch, mature string band with its superb musicianship, tight harmonies, solid rhythms, and grown-up takes on life. Everyone in the band can/does sing and one of the lads occasionally takes the lead ⌠but there just isnât much that compares to Rani Arbo, one of the most distinctive voices in the business. Fifteen years on the road has just made it better and the journey seems to have nourished her Americana soul as well.
â Rob Weir