Danse Macabre (the first installment)
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4. âBrother Johnâ performed by the Neville Brothers
We havenât featured this New Orleans classic on the blog, but have sent it out on our Facebook page for Mardi Gras. Part of the Mardi Gras Indian tradition exemplified by The Wild Tchoupitoulas, âBrother Johnâ will get you moving while lamenting this mighty âwarriorâsâ loss on the battlefield. The âIko Ikoâ beat is a fitting follow-up to the Dead.
3. âSt. James Infirmaryâ performed by Rising Appalachia
We just covered this performance in our recent installment on âThe Unfortunate Rakeâ series of ballads. Rising Appalachia also dips into the New Orleans musical tradition with a performance of âSt. James,â that moves through the somber and exuberant passages of a Big Easy funeral procession. And, that bass wonât quit.
2. âWho Killed Cock Robinâ performed by Dana and Susan Robinson
This nursery rhyme murder ballad in othersâ hands doesnât normally get your booty shaking, but Dana and Susan Robinson bring undeniable energy in their version. They deliver musical joy despite the grim (for a child) lyrics. A tasteful bit of percussion in partnership with the Robinsonsâ mandolin and guitar give this one an exuberant bent.
1. âPumped Up Kicksâ by Foster the People
As I probably mentioned when I covered this song in a week focused on songs inspired by school shootings, we had set this song apart early on in our blog planning for âwhen we really sell out.â Despite being the most pop-oriented of any of the songs we list here, the infectious pop hooks from Foster the People come with deliberate intent. As one of the band members had a relative who was a survivor of the Columbine High School shooting, the band viewed the song as one to get people dancing first, listening second, and thinking third. They hoped the song would open up conversation among kids and parents, and itâs not a bad strategy for getting people invested in the song.
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Thatâs it for our inaugural dance track list. What would you add? Iâm sure weâll come back for more later.
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