Conversations with Death: Clementine
A Sharp Turn
A girl. A daughter, a sister, a lover.
A prostitute. Ruby lips. Thin, delicate, pretty. Big feet.
A fat girl. A clutz, a clod, a chub.
A drunk girl. Drowned, lost, forgotten, betrayed.
A dead girl. A corpse, a ghost, a zombie. Merciful, lustful, vengeful. Bloated, stinking.Oh my darling …
So it goes with âClementine,â the classic American folk song about a goldminerâs daughter who stumbled into a river and drowned. Every year, thousands â maybe millions â of American children now sing about Clementine as they sit around campfires, line up at scout meetings, perform in school plays, and amuse themselves with cartoon apps before bedtime. In this post, I join the âConversations with Deathâ series that we started last year at Murder Ballad Monday. The series allows us to explore songs that donât address a murder but do address death in similarly powerful ways and resonate with us personally. Previous posts in the series have explored some truly beautiful songs on some serious topics. Iâm a little embarrassed that mine is best known as a jokey sing-a-long for the kids:
Family Sing Along Muffin Songs, âOh My Darling Clementineâ
Of course, the kids are not singing about drunk lovers, bloated corpses, or lustful ghosts. The version of “Clementine” that most children sing, and therefore that most adults know, is a scrubbed one. On this blog weâve explored time and again how songs for children are often sugar-coated candies that contain nasty bites of human behavior and suffering. âClementineâ is no exception. Its darkness and cruelty run deep. Iâm not so much embarrassed, then, as I am miffed that this song doesnât have more street cred among adults.
Apparently, Neil Young was a bit miffed about that as well. His cover version of âClementineâ with Crazy Horse on Americana (2012) is electric, driving, and relentless, unleashing demons that have always been at the songâs core. The original video takes it over the top. Titled âA Sharp Education,â it depicts a female knife-thrower practicing her skills on her young daughters in their backyard as the neighbors, leaning on the white picket fence, look on in horror. No child is impaled – the mother is skilled – but itâs still disturbing (if you canât watch the whole thing, the first two and a half minutes give you a good enough picture):
They replaced this original video with a much less disturbing but still kind of creepy one.
The motherâs grin in this video is maniacal, and I donât know quite how to describe the expressions on her daughtersâ faces. How did we get from âMuffin Songs for Familiesâ to this scary place? Pretty easily, as the songâs origins reveal.