BLITZ THE AMBASSADOR: The Warm Up EP
BLITZ THE AMBASSADOR
The Warm Up EP
Jakarta Records 062
If youâre looking for a world music perspective in hip-hop, look no further than Ghana-born hip-hop artist Blitz the Ambassador. His third release on Jakarta records, The Warm Up EP (available for free through his bandcamp webpage) shows Blitz further embracing African roots. Songs typically concern the dichotomy of being both an Ghanian immigrant and a resident of New York City, and the end product is quite astounding.
With blaring horns and a slew of drums that hearkens to Ghanian Afrobeat, production on this 7-track EP is superb. Percussion is foremost, as it often is in hip-hop, but you wonât find any Roland 808 bass kicks mixed with the breakbeats here, everything is organic: handclaps and drums are either played live or sampled authentic djembe or other traditional instruments. Jakarta Records, known for itâs work with international hip-hop artists, always pays special attention to providing top-notch production. Iâd recommend nearly all of the artists under their umbrella. Organ stabs and sampled guitar riffs sound like theyâre pulled directly from a Zambian WITCH Zamrock record, and retain all of the dusty goodness of the rare, sought-after recordings. If any criticism could be laid upon this albumâs production, it would be that the heavy reliance on vocal sampling diminishes some of the quality. Really, the repeated âHalf a Mil For Bail Because Iâm African,â line sampled directly from Jay-Zâs â99 Problemsâ gets to be annoying on âAfrican in New York.â
Compared to Blitzâs previous efforts, Stereotype and Native Sun, The Warm Up EP is a much more âdigestibleâ release, at least by hip-hop standards. There are far fewer featured guest artists from Africa on this release. This makes the album much more marketable in the hip-hop industry, but fans of Afrobeat or world music may want to seek out Native Sun before picking up this EP. Before listening to the album I assumed The Warm Up EP would be a far more focused release than either of his previous, mainly because of condensed size, and the lack of so many guest appearances (while appreciated, an abundance of guest artists can often become overwhelming, almost like a variety show). I was slightly disappointed by the lack of focus here, but itâs easily explained.
Blitz is an emcee with something to say, and trying to fit his message into seven tracks … thatâs just not doable. While popular hip-hop artists often find themselves scrambling for something to talk about often resorting to cliche or braggadocio, Blitz can quickly hone his discussion to topics such as the kinship of all Africans in America (despite vitriolic tensions they may have within the African continent) on âAfrican In New York.â Blitz grazes topics such as travesties committed throughout Africa by the likes of Shell Oil and Monsanto, and the execution of Ken Saro-Wiwa, both found on the tremendously poignant track âBisaâ (âWhyâ in the Ghanian language) alongside Nigerian soul singer Nneka and fellow African emcee Ty. I feel like these topics deserved to be expanded upon, instead of being squeezed into a single 16-bar verse. On the lighthearted track âDikembeâ (devoted to basketball player Dikembe Mutombo) Blitz shows that he doesnât want to be the best rapper from Africa, but the best rapper period, which may seem like a trivial point, but hip-hop is wrought with barriers, disallowing artists with certain labels (being female, non-American, homosexual, etc.) from reaching certain levels within the genre. Itâs refreshing to see this kind of passion in an artist.
The Warm Up EP is a fantastic release, and easily climbs to being one of the best hip-hop efforts of 2013. Blitz the Ambassador is early in his career, and I expect that weâll be seeing a lot more material of this quality very soon.
— Matt Hengeveld