VARIOUS ARTISTS: Live at Caffè Lena

Â
Â
Â
VARIOUS ARTISTS
Live at Caffè Lena: Music From Americaâs
       Legendary Coffeehouse, 1967-2013
Tompkins Square 2967
As one of the seminal folk clubs of the 1960s folk revival, Caffè Lena has few parallels. Founded in 1960 by Lena Spencer with her husband Bill in a college town in upstate New Your, it was the perfect warm and intimate cauldron for all that was to come over the coming years. And with Lenaâs broad and generous heart guiding the venue through the swirl of the revival and for decades after, it retained that purity of spirit like none other. Itâs no accident that the CaffĂŠ is one of the very few of these iconic venues to continue through to the present, retaining Lenaâs quixotic spirit through to this day almost two decades after Lenaâs passing.
The key to the clubâs longevity and power was on two fronts, intricately interwoven and unwavering. Artists playing the club were Lenaâs âchildren,â loved equally and unshakably. She always believed profoundly in the artists presented at the club, regardless of any successes or struggles outside the clubâs walls â and the artists who played there knew that, felt that and projected that in their performances. And Lena, so smart, always made the audiences feel like they were an integral part of any show as well ⌠that they were âhome,â too, when they were in the audience. This made for hundreds, thousands, of electrifying shows at the CaffĂŠ ⌠and this three-CD compilation from Tompkins Square serves both as testament to the best of the spirit of that music and community, and as a wonderful transport through the decades of the club with almost 60 tracks of previous unreleased performances from a terrific assortment of artists who graced Lenaâs stage.
Each of the three discs focuses on a different period in the venues chronology, so itâs not surprising that the first disc holds the most profound nostalgia with some really terrific performances from artists that made it past the first almost decade of the revival. (As the title indicates, the recordings here represent 1967 forward.) Itâs wonderful to hear such strong performances from Mike Seeger, Jean Ritchie, Guy Carawan, Hedy West, The Greenbriar Boys, Pat Sky, Billy Faier, Michael Cooney, and others, sounding SO great. Hats off to co-producer Steve Rosenthal and the rest of the restoration team for the clean and upfront sound on the overwhelming majority of these tracks â it really feels like youâre sitting in the club back in the day!
Disc two covers the next decade well, featuring performances from the likes of Dave Van Ronk, Barbara Dane, Ramblinâ Jack, and Happy and Artie Traum, all with at-their-peak performances that showcase both musical prowess and the the energy (and often harmonies) of the CaffĂŠ audiences. Thereâs a Jerry Jeff Walker performance of âMr. Bojanglesâ that Iâm pretty sure includes backup from David Bromberg who was the sideman in 1968, followed a couple tracks later by Bromberg as a front man inspiring the audience to provide him with vocal help for his âThe Holdup.â Great stuff. I was a bit disappointed by the fantastic and sorely missed John Heraldâs track â a slow spoken-through read on his usually lightening-read tribute to Ramblinâ Jack. And, honestly, I just donât get the point of including off-site performances by Arlo Guthrie (âCity of New Orleansâ) and Pete Seeger (âSomos El Barcoâ) that miss the charm of the club-recorded tracks (and arenât particularly unique performances) ⌠but othersâ mileage may vary.
Disc three digs deepest toward the current crop of mostly songwriters that form the overwhelming majority of the club scene today, but includes some great performances from the likes of Bill Morrissey in his prime (âThe Last Day of the Furloughâ), Bill Staines (âSweet Wyoming Homeâ) and other terrific tracks from Anais Mitchell, Grey Brown, Patty Larkin, Rory Block and Chris Smither. The set closes with the only (to my knowledge) reissued track: Lena, herself, on the charming early pop song âDear Little Cafeâ which was also included on the long out-of-print Biograph LP from the late 1970s that also paid tribute to the CaffĂŠ.
The CD box includes a booklet that includes a number of essays that give a nice glimpse into the spirit and history of the club, and a wide range of photos showing the room and the artists for a healthy dose of nostalgia. I do wish that there was better annotations for the tracks, crediting of musicians and such, but I could track down a lot of info out there on the web, and this is really supposed to be about the music right?
While there were a few tracks that didnât click for me, Iâve got to say that I found this compilation really fulfilling and am highly recommending it to anyone who loves great music played at a great venue. And isnât that pretty much anyone reading reviews at this site?
â Mark D. Moss