Murder Ballad MondayThe price, my dear, is you.
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The price, my dear, is you. — 2 Comments

  1. Yes, I don’t know but would love to read up on this and find out. I’m saying this with nothing but impressions in front of me right now, but it seems like, among other things, animals + magic + early America *really* don’t mix well. If it’s something about how that kind of magic represents the “old world,” I can’t help but note that it also represents the new world, its native peoples, and their stories. So maybe this was a forged and forced ground between the two. Dunno, would like to know more.

  2. We seem to keep finding murder ballads that had magic in them in Europe but lose it (at least in some versions) in America. That can’t be a coincidence. I often wonder to what extent the social/political transformation that happened from 1607 – 1775 worked its way in to the folk music. Is there something about the magic that represents the old world and is consciously purged? Is it just not ‘practical’, a useless part of these artistic ‘tools’ that naturally just drops away as they adapt to their new purpose in America? It’s not like magic goes away in American storytelling (Rip Van Winkle, Sleepy Hollow, etc.) but it *seems* somewhat less present in folk music… maybe? Oh, for the help of a musicologist!