Shot Through Your Cheatin’ Heart: “Open Pit Mine” and Country’s Cuckolded Killers
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âThe Cold Hard Facts of Lifeâ
Porter Wagonerâs 1966 song, âThe Cold Hard Facts of Life,â adds a âdonât surprise your wifeâ element to the story of the cuckolded hardworking husband. The “surprise” trope lends some narrative logic to the stories, but also subtly reinforces the idea of male domestic control. Remember, only paralysis prevents the protagonist in “Ruby” from preventing his wife from “taking her love to town.”
Wagoner’s song, written by Bill Anderson, became a #2 country hit. Its title phrase becomes a metaphor for the husbandâs disillusionment and a euphemism for his violent resolution to it.
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âThe Snakes Crawl at Nightâ
Mel Tillis, who wrote âRuby, Donât Take Your Love to Townâ co-wrote this 1966 Charley Pride song with Frank Burch. âSnakesâ combines the âWindow Up Aboveâ dynamic of the surveilled spouse with the idea that the enraged spouse is possessed by the Devil in taking his vengeance. The Biblical symbolism and the protagonistâs state of mind probably make this the most “Gothic” so far. It is also the only one in which the killer faces execution. Many of these cuckolded killer songs dispense with reassuring the audience that the killer is going to be punished, although the killer in “Open Pit Mine” anticipates a remorseful suicide. Of our songs today, only this song and âPapa Loves Mamaâ below mention punishment, and only this one involves execution. Although âSnakesâ was released as a single, it didnât make the charts.
âBlood Red and Going Downâ
Tanya Tuckerâs âBlood Red and Going Down,â is the first of our songs with a female narrator. Tucker sings of a girl whose father brings her on his quest for vengeance against his wife and her lover. The ending is particularly chilling seen from the childâs perspective. âBlood Red and Going Downâ was written by Curly Putman and was a #1 country hit in 1973, and reached #74 on the Billboard Hot 100.
âRadio Loverâ
âRadio Loverâ brings back to our list both George Jones and Curly Putman, who co-wrote the song with Bucky Jones and Ron Hellard. Jones recorded âRadio Loverâ in 1983, three years after classic collaboration with Putman on âHe Stopped Loving Her Today,â but released it in 1989. The country charts were not as friendly to Jones in the late 80s, and this song reached only #62 there.
âRadio Loverâ combines Jonesâs smooth, mature voice and a far more polished contemporary country production than âOpen Pit Mine.â The arrangement includes a mixture of spoken word and singing, like “He Stopped Loving Her Today.” Like âCold Hard Facts,â it merges the âhardworking husbandâ and âdonât surprise your wifeâ tropes. The husband is a radio DJ, and the songâs refrain interweaves with the story at the crucial moment, with the song itself becoming the kind of “good ol’ cheatin’ song” that the DJ himself likes to play.