Shot Through Your Cheatin’ Heart: “Open Pit Mine” and Country’s Cuckolded Killers

Country Gothic In her oft-cited 1998 essay, “Bloody Daggers and Lonesome Graveyards: The Gothic and Country Music,” Teresa Goddu contrasts “bluegrass” and country. I put “bluegrass” in quotes because the term in the essay mostly means songs that carry the legacy of  what Goddu refers to as “the Gothic.” Bluegrass does … → read more

Jon Langford interview, Part Two

Jon Langford (Photo by Barry Phipps, courtesy the artist and Bloodshot Records) Today we continue our conversation with transplanted Chicagoan and jack-of-all-trades (music, art, comic interludes, storytelling) Jon Langford. You can read Part One here; Part Three appears Friday. Today we find out why Langford wanted to record an album … → read more